eric timothy carlson bon iver

This time it was exciting to think: “We're going to have the dancers, we're going to have photography and it's going to be about all of the faces and players and contributors in this straight up, portraiture way,” like portraiture of the musical instruments within their environments, while also including symbolism, the drawing, the songs and titles. Well, the first two singles are out and they came out on vinyl and on cassette tape. February 11, 2021. But I feel confident in being able to be open to conversation and be able to consume the ideas that are floating around on the tips of everybody’s tongues in the process and to see where that fits into my vision of it. You can really just build catalogs of images that are song-specific and then a whole umbrella of specific bodies of material. Which is only really able to be done if you are embedded with a band during the process.Yeah, totally, totally. I wonder, for you as somebody who's working on visual aspects with the band, how early you are introduced to the process? All of the artwork has been in conversation with the Bon Iver project for a number of years now. So then, how do you start bringing it all together, let alone collaborating with the dancers? This album is a surprise to a lot of people. Created/Produced/Directed by Aaron Anderson and Eric Timothy Carlson. Bon Iver Tour Dates. There’s the whole universe of the album to pull from, but then also making these individual experiences for the videos. I get to make my artwork, but I also get to make it in response to this vision. This is a collective. We did this kind of like transparency treatment for the packaging that gives an experience of this overarching collection of material, because at every moment you want people who see the album to have the experience of a nearly endless array. Once you get to a certain place with all that, you need to come up with ways to process and work with it, maybe a bunch of pencil drawings, or, in the case of i,i, introducing a lot of photography. That ends up being the vertical collage on the cover. Or is it more liberating in saying to yourself, “I’m  actually part of this from the early sketches and I have an idea of where this is going." You mentioned there's a lot of artwork for this album. Do you think you'll do more musical collaborations or turn back to your own work after 22, A Million is out in the world? In an era where collaboration is king, Bon Iver feels like the antithesis of hype-culture and more the embodiment of an edgy sense of artistic camaraderie, from songwriting to musicianship, and of course, the art that suffuses the band and the illustrative identity of the songs. 1/22 – Zepp Tokyo – Tokyo, JP. Bon Iver and Justin and the energy has been a little, naturally, less cryptic. It's not about knowing what you're doing. https://www.thefader.com/2016/09/30/bon-iver-22-amillion-eric-timothy-carlson Bon Iver’s new album, 22, A … And then the full album is coming out in every format as well. What was also made very clear was focusing on developing multiple bodies of fairly disparate materials for i,i, where 22, A Million really honed in on the drawings and those iconographies. The one man, Justin Vernon, is the acknowledged conductor of collected ideas and talent, a role that suits him in what has become one of the most special bands from America in the 21st Century. Please Consider Supporting Minneapolis Sanctuary Movement, Red Letter Grant, Equal Justice Initiative, NIVA, 350.org. Each song had a vocabulary behind it—not only the song symbols, but all of the illustrations came out of the lyrics and the ideas. –Eric Timothy Carlson. Would you prefer for it to arrive as one finished product: here are the songs, go make the art from this?I think they end up just being two really different scenarios. It's kind of about working and developing a world of artwork that happens at the same time that's interrelated. The accompanying music video was created, produced, and directed by Aaron Anderson and Eric Timothy Carlson. And the two lyrics videos have come out and I guess I would feel comfortable saying that we're working on the videos for each song in line with what was established with the first two. Show all albums by Bon Iver So, did people close to you know that you were working on this or were you sworn to secrecy? So, with the band, we spend a period of time just kind of thinking, talking and building a dialogue around what the songs, lyrics and visuals can be. Did this album feel more natural because 22, A Million felt like a little bit more cryptic? I feel it's exciting and interesting to really engage in every song, as well as the conversations while things are happening, collecting as much as possible from those processes, pulling out the symbolism, content and conversations, be they really explicit visual references or vibe references. There’s a lot of make and make and make until things become clear and you can make decisions and you can edit. It was a matter of just sharing them with Justin and the others, but there was a note from Brad Cook, the producer-engineer of i,i,and he was like, "I can't stop thinking about this one." You almost become part of the band, especially in this day and age where you're creating a video and a visual representation to each song on top of art packaging. And then over the last two years this conversation has been building and so this weekend has been a big release for that process. Bloomington, IN independent label Jagjaguwar turns 25 … And then the videos are kind of coming out of that process, too, where we’re making these lyrics videos so that they each have that suite of content per song. Artwork by Eric Timothy Carlson. At the GRAMMY Awards this weekend, i,i is up for Album of the Year, Record of the Year (“Hey, Ma”), Best Alternative Music Album, and Best Recording Package (Bon Iver Art Directors Eric Timothy Carlson & Aaron Anderson). Think of some of your favorite artworks and some of your favorite album covers and songs: There can be a really simple beat or just be one solid color, and that can be it. Different songs kind of elaborating on previous pieces and then you have the opportunity to do that with the artwork. And I got a text message shortly after a studio visit with Justin, and it was like, “Collage is the thing, right?” Yeah, collage is the thing. But, there's a lot of material that we've produced, a whole body of work that we're still processing, and we're excited to see what we can make with it all. I get a lot of inspiration from them. In … Justin Vernon’s visual collaborator Eric Timothy Carlson described Bon Iver’s previous album 22, A Million as “an opportunity to play with the assumptions of Bon Iver’s audience, and the established aesthetic.” For i,i, he would be looking to both build on that new aesthetic, while also turning it … While living in the Midwest, Carlson befriended a number of people in the local music scene, including Justin Vernon. It's a lot easier for the work to become part of your life when you're investing that kind of time frame to it. Someone who can defy a lot of genres and be a real person making some dark, sick work—I find that really inspiring. Judging by the two singles and the track names, this seems to be a major departure from the days of For Emma, Forever Ago. So those are the three primary cover images that compose the final cover. Organic is not necessarily the word I want to use, but this one feels a little bit less obscure. And [then] I just try to translate that into a cohesive body. That's a less interesting way of approaching it, given this opportunity to develop the bigger body of work. There’s sculptures and image work, but they're also involved in music and involved in collaboration. So there's an openness and there's almost a documentary quality to some of the processes of creating the content with the photography, almost like journaling through the drawings and writing that happens in context of the recording and the process of making music. I really love an album experience and love to listen to things that you can really put on and listen in such totality. People that know me knew a thing or two, but everybody’s pretty good about respecting the privacy of the project. People ask for stuff in a week, and sometimes that's funny and fun and sometimes it's kind of like inappropriate. But I like to get there by working really hard at figuring out the simple gesture. I mean I am certainly from a school of process. Check out the artwork and tracklist for Dilate Your Heart below. This summer, as the early rumblings and tracks began to emerge from the newest album by Wisconsin-based band, Bon Iver, there emerged a groundswell perception that what was once considered a one-man band had truly become a collective. So, I was around not only in the middle, but from the start, really. After breaking down the symbolism of the cover art for Bon Iver's latest album 22, A Million, and the initial frame of the music video for its current single "8 ... (circle)" music video. New Single Written by Phil Cook and Justin Vernon, Featuring Contributions From Jenny Lewis, Jenn Wasner, and More. And that’s another thing I felt very accustomed to personally. He has collaborated with artists such as Peter Burr and Annie Larson and exhibited with institutions such as Printed Matter and Fisher Parrish Gallery. In this case, probably two years ago, there was already a smattering of songs, and some of the stuff had been around for a few years, and some of the stuff was brand new, playing it all in a room together. Oct 7, 2016 - Justin Vernon assembled a cast of creatives to make Bon Iver's Grammy-nominated LP 22, A Million. Artwork by Aaron Anderson and Eric Timothy Carlson. Then again, you have a 150, 200 options and there's these things that can kind of “sing,” so getting to a point where this handful of pieces starts to be exciting. It recognized the best recordings, compositions, and artists of the eligibility year, running from October 1, 2018, to August 31, 2019. Copy link. You can choose one, but sometimes you have to do a hundred to arrive at that decision. Bon Iver — 2019 Tour Dates 6/4 – Esch-Sur-Alzette, LU – Rockhal 6/8 – Aarhus, DK – Northside Festival 6/12 – Bergen, NO – Bergenfest There’s the ten murals that went up in cities around the world. Each track on i,i was conceived with specific videos and visuals enhanced by an assortment of art made during the album’s creation. NewsOctober 7, 20162:09 PMBy James Rettig. Brooklyn-based artist Eric Timothy Carlson has made the artwork and visuals for the last two Bon Iver albums, 2016’s cryptic yet out-of-this-world folk 22, A Million and the most recent i,i, a warmer yet continually experimental set of songs. at the Eaux Claires Music Festival in Wisconsin, Jim-E Stack recruits Bon Iver for new song “Jeanie”. Are you brought in when songs are being written or when the songs are being created? I really love art. You're like, I don't think you know what you're asking anyone to be involved with when you give them that kind of timeline. • Best Alternative Music Album: “i,i.” Listed with the nomination is Bon Iver. This then links (albeit somewhat ambiguously) to Bon Iver's initials "B" and "i," and their incorporation into the album artwork, since the "i" may also represent the Eye of Providence. The Bon Iver family also outlined … Well, one thing that I feel is the same is that a lot of my work I rely a lot on production and process. Between that and “iMi,” which also just such an epic collage of music, I feel it speaks about what Bon Iver's project really is. Brooklyn-based artist Eric Timothy Carlson has made the artwork and visuals for the last two Bon Iver albums, 2016’s cryptic yet out-of-this-world folk 22, A Million and the most recent i,i, a warmer yet continually experimental set of songs. I think that is in regards to both this analog and this digital, this kind of human, natural, traditional thing—people make music—but also they’re using tools and there are aesthetics that are very now or on the precipice of the process and the tools and the capabilities of music. Wrapping up the album and all the videos was definitely the last push of this summer. "There's no master, and help will surely come around". To that point, how do you feel that your art changes when you’re working on a music project versus working on sculpture, installations, painting, or collages? It must be exciting for you as a visual creator after being embedded with the band.Certainly. When do you get an inkling of what the sound might be?This was established in the process of working towards 22, A Million, and reestablished in i,i where it was kind of exciting to bring me into the studio to see where it's at. In addition to his position as creative director for music collective Bon Iver, Eric Timothy Carlson maintains an independent art and design studio, examining ideas of iconography and language often through highly nuanced collage work. With your own personal artwork, what are your biggest influences? And each song has a suite of material. Are there particular artists that you admire? Eric Timothy Carlson. And I guess I’m also well-versed in collaboration. Listed with the nomination are Aaron Anderson & Eric Timothy Carlson, art directors (Bon Iver). "PDLIF" is a genuine evolution within the Bon Iver canon, blowing out the deconstructed beauty of the group's last two albums into luscious new shapes ... CREDIT: Eric Timothy Carlson. ... Art by Eric Timothy Carlson. That's a good name for an album.” This was two years ago. More Bon Iver albums Blood Bank EP (10th Anniversary Edition) i,i. And of course, the majority of projects really happen with a much quicker turnaround where a lot of stuff has to happen in a month or two. So yeah, definitely have some work to continue with them, for sure. Jagjaguwar celebrating 25th anniversary w/ collab series ft. Bon Iver, Sharon Van Etten, Perfume Genius, more. Evan Pricco: As Bon Iver starts going on tour, do you still participate with an aspect of art direction?Eric Timothy Carlson: I started with them, working towards the 22, A Million album, and when that wrapped up, I seemed to land a position art directing with the band, and so, coming into this album, i,i, it was a pretty natural progression. I practice both very analog and digital output and I know that in their press release they’re talking about the song being a polyphonic sound. Photo: Jagjaguwar/Eric Timothy Carlson. So, like hundreds of photographs and hundreds of drawings, hundreds of smartphone video clips just produce this massive well of content. So, it was all from scratch and everything that was made for it was made in direct conversation and as specific iconography to all of the content. Tap to unmute. I certainly work with plenty of projects where you kind of get a thing put in front of you and there's a certain equation you're given, and that's what you have to work with. Oct 6, 2016 - Justin Vernon assembled a cast of creatives to make Bon Iver's Grammy-nominated LP 22, A Million. As chaotically wide as possible. What's your favorite moment on i,i?My gut reaction is “RABi,” the last song on the album that is such a beautiful song to me. Bon Iver shared a new song, "PDLIF," an acronym for "Please Don't Live in Fear," and will donate proceeds to COVID-19 relief efforts. How do you feel your art fits into this new version of Bon Iver? I remember some of the first times talking about it, making specific note to myself about not deciding what the album cover is at this point. The pressure doesn't exist until you really kind of have to make decisions. ︎ erictimothycarlson at gmail dot com We've been working with this dance company in Saint Paul, TU Dance, and a bunch of the lyric videos for the album feature them. Music is really important to me and there is a dialogue with musicians and music that is just ingrained in my thought process.

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